Insho Domoto （堂本 印象） (1891-1975) Insho Domoto was born in Kyoto in 1891, with his given name Sannosuke. After he graduated from Kyoto City School of Arts and Crafts, he was originally trained in c
Wada Morihiro（和太守卑良） As a student, Wada was heavily influenced by his teacher Tomimoto Kenkichi (1886-1963). Wada’s techniques include a variety of decorative styles, such as black and white in
Uichi Shimizu（清水卯一） Born in Kyoto in 1926, Shimizu Uichi was one of the foremost Kyoto-based artists of his time. Having studied under Living National Treasure Ishiguro Munemaro (1893-1968),&n
Shoji Hamada（濱田庄司） 1894～1978 He was a potter within the folk tradition of Japanese. He was a long-time friend of Kanjiro Kawai, Soetsu Yanagi, and Bernard Leach with whom he co-founded the Jap
Matsui Kōsei 松井康成(1927-2003) Designated as a Living National Treasure in 1993, Matsui Kōsei was hugely influential in the revival of neriage (marbleized, colored-clay ware that he perfected, studying
Imari ware is a generic name of porcelain produced in Hizen country (modern Saga and Nagasaki) around Arita (Arita-cho, Saga), northwestern Kyūshū. Arita's kilns were set up in the 17th c
Kanjiro Kawai 1890 - 1966 Kanjirou Kawai was a Kyoto-based potter within the folk tradition of Japanese and Korean ceramics and a key figure in Mingei (Japanese folk art movement). He was a long-ti
Shonzui is Chinese porcelains with underglaze blue decoration created in a non‐imperial kilns in Jingdezhen, Jiangxi, during Chinese late Ming and early Qing dynasties Compared to Kosometsuke
Kosometsuke is a dyed porcelain that was burned in a folk kiln in Jingdezhen, Jiangxi, mainly around the end of the Ming dynasty and the Tenkei era (1621-27) in China, and is the name in Japan. Dyed p