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Isaburo KADO "Vermilion-Lacquered Curved Tiered Box"

An elegant Vermilion-Lacquered Curved Tiered Box by Isaburo KADO

The softly curved form is finished with a lustrous vermilion lacquer, exuding refined beauty. Comprising five tiers, it is both functional and visually striking, perfect for celebratory occasions or special gatherings. This piece showcases Kado’s signature precision craftsmanship and the deep, glowing sheen of fine lacquer.

 

 

 

A one-of-a-kind crimson that adorns your space.

Transcending the concept of lacquerware, this is modern sculptural beauty. Isaburo KAKU's "Shu-nuri Magewa Kasane" brings a sophisticated atmosphere to any space it inhabits. The glossy crimson hue, enveloped in light, will bring a quiet sense of awe to your daily life.

 

The bottoms of the first through fourth tiers feature stepped edges to prevent shifting.

 

The bottom of the fifth tier from the bottom is flat.

 

As an artful object for display in both Japanese and Western interiors

 

A masterpiece of lacquerware that enhances both traditional Japanese settings and modern living rooms alike, elevating any space as an interior objet d’art.

 

Presented in a paulownia box — the lid inscribed with the title, the reverse bearing Isaburo’s signature and seal.

 

 

It is housed in a paulownia box, with the inscription “Magewakasane” on the front of the lid and the signature “Isaburo” and his seal on the back.

 

 

Comes with the original wooden storage box (tomobako)

Material: Wood with lacquer finish

D26.8cm × 14.8cm H28cm

 

 

About the Artist

Isaburo KADO 

1940 - 2005

Born in Wajima, Ishikawa Prefecture in 1940, KADO apprenticed himself at the age of 15 to Tetsushiro Hashimoto, a master of chinkin (a technique of carving fine lines in lacquer and applying gold to them). 1962, after completing his training, KADO began to produce lacquer panels and painting-like works using the chinkin technique. 24, he was selected for the Nitten exhibition for the first time and was selected 17 times, and in his 30s In his thirties, he was awarded a special prize at the Nitten. In 1982, KADO withdrew from all public exhibitions and held his first solo exhibition of only bowls.

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