▲The exterior is left unglazed, showcasing the appealing, rustic warmth of the unglazed clay's texture.
▲The inside is glazed and features fine craquelure.
▲The foot of the base bears the seal mark “Makuzu.” Beside the foot is the inscription “Kozan,” evoking Kenzan.
▲Back of the box
It reads: “Masago-hada, Iroe, Tsutagawa, (Color-painted vine-decorated) Makuzu Kozan”.
▲Front of the box
It reads “Kashiki”.
Original Box
Taisho - Showa
D22cm H15cm
Delicately painted autumnal red vines alongside fresh green leaves evoke a sense of seasonal transition, creating a design rich in poetic elegance. The exterior remains unglazed, showcasing the natural, earthy texture of fired clay, which adds warmth and simplicity to the piece. In contrast, the interior is coated with a soft glaze, featuring fine crackle patterns (crazing) that lend a quiet beauty and depth, enhancing its charm as both a functional vessel and a work of art.
Kozan MAKUZU, the second
1858 - 1940
Son of Chohei, brother of the 1st generation Makuzu Kozan, he often assisted his uncle in Yokohama making ceramics. After the 1st generation Kozan died in 1916, he was named 2nd generation Kozan. Inheriting his style from his uncle, he primarily produced sculptured vases, sculptured figurines and other works, often incorporating birds and flowers. More so than his predecessor, he based his work on scientific research into glazes, which allowed him to develop innovative new works that solidified the reputation of Makuzu-ware.
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